Use this URL to cite or link to this record in EThOS: https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.815030
Title: The Water Mill : authentication and analysis of an ancient Chinese Jiehua painting
Author: Ren, Baihua
ISNI:       0000 0004 9356 2968
Awarding Body: University of Glasgow
Current Institution: University of Glasgow
Date of Award: 2020
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Abstract:
The Water Mill, currently held in the Shanghai Museum, is a famous jiehua painting which for a long time was believed to have been created by the Five Dynasties artist Wei Xian. At present, most scholars hold the view that it was created around the Northern Song Dynasty (960–1127). This dissertation tries to use a sociological approach, material culture study and iconographical analysis to illustrate the painting’s content, as well as research on the cultural biography of the whole handscroll, with the purpose of finding the potential artist and the time of creation. Alongside, with authentication, politics, economics and aesthetics are also discussed in the thesis to explore their effect on the development of jiehua and the specific theme of the water mill in the Chinese history of art. Through the analysis of the cultural biography of The Water Mill, which presents a full collection history of the handscroll since the Northern Song Dynasty, its authenticity could be proved. From historical records and a residual signature, the son-in-law of the Yingzong Emperor Zhang Dunli can be established as the artist of The Water Mill and the painting may have been created around 1068–1100. The interpretation of the painting image supports this conclusion and the hypothesis from the cultural biography – the construction, costumes, climate, culture, military system, etc. – all reflect the characteristics of the Northern Song Dynasty. Therefore, The Water Mill can be seen as a representative architectural painting of the golden age of jiehua and an image representing Song culture. On this basis, this dissertation also researched the particular background to find the reasons why jiehua was popular during the 10th to 13th centuries, as well as why the water mill was a popular theme during the Song Dynasty. Further research is needed to identify faded seals in the handscroll and confirm the possibility that Zhang Dunli was the artist of The Water Mill.
Supervisor: Not available Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.815030  DOI: Not available
Keywords: ND Painting
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