Use this URL to cite or link to this record in EThOS: https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.804580
Title: Soundcastles : play and process in field-recording composition
Author: Yovev, Symeon
Awarding Body: University of Leeds
Current Institution: University of Leeds
Date of Award: 2020
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Abstract:
Soundcastles: Play and process in field-recording composition is a practice-led research in experimental music, which investigates the medium of field-recording as a contested vanguard between the listener and the listened; the self and the soundscape; the composer and the material. The research consists of a portfolio of nine field-recording compositions and a corresponding commentary exploring the ideas, approaches, and discourses behind. It studies the complex boundary where the listener and the sonic environment meet, and explores the music potential of sounds in the urban everyday between the immediacy of their emergence, and the cognitive-emotional context of their subjective perception. In the tradition of soundscape composition with field recordings, a main focus of this research is the integration of the affective and the effective qualities of being in the world and listening. The music properties of urban soundscapes can thus be both emphasised and transfigured, so as to include the subjective aesthetic perception without losing the unique connection to their place of origin. The resulting compositions—soundcastles—become mediations between subject and object, soundscape and inner-scape, the actualised and the potential. This research investigates this liminal space of convergence where a listener encounters the sonic environment, and explores the potency of this encounter. It thus problematises the perceived bifurcation of subject and object of listening, and treats the soundscape in terms of imbricated processes within a network of relationships. Each soundcastle is a process of reducing the continuous acoustic environment to a concrete form as perceived from a standpoint. In particular, the methodology of this practice utilises modern signal processing and editing tools to highlight the subjective experience of a soundscape, while preserving the connection of the composition to the specific place and occasion of its recording. In this way, the Soundcastles project aims to situate itself at the in-between space between phonography and acousmatic music within the field of soundscape composition.
Supervisor: McLaughlin, Scott ; Stefani, Ewan Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.804580  DOI: Not available
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