Use this URL to cite or link to this record in EThOS: https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.797211
Title: The artist's intent in contemporary art : matter and process in transition
Author: Quabeck, Nina
ISNI:       0000 0004 8503 0080
Awarding Body: University of Glasgow
Current Institution: University of Glasgow
Date of Award: 2019
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Abstract:
Few topics polarize in a way like 'the artist intent' appears to do. In the conservation field, where the term appears to be short-hand for a jumble of artists' wishes, rights and responsibilities, it has percolated to the forefront of discussion time and again, with outbursts often triggered by conservation controversies, but so far, the profession has not quite come to grips with this unruly notion. Traditionally, the material object in its 'original state' served as the primary witness of 'what the artist had intended'. Contemporary art-making practice, however, often makes enshrining the material object futile, so the primacy of artworks as fixed documents of the creative act can no longer be taken for granted. This thesis consequently sets out to map together changes in artistic practice and those in preservation strategies, as museum staff often actively participates in co-constructing artworks on the installation floor, performing tasks that closely fit the job description of studio assistants. Artworks created in this way are rarely totally developed ahead of time and likely require a certain period of openness and flux in which their identity forms. Thus, authenticity of artworks is no longer necessarily identified with a fixed material entity, completed at the moment they leave their creators' hands, since artworks conceived with change or even ongoing engagement in mind are the norm rather than the exception. Consequently, artists are increasingly involved in their works' post-accession life, but their place in the decision-making is often a topic of contention in the context of art institutions. This thesis investigates the blurry frontier of artist intent through studying how artworks' lives unfold pre- and post-accession and how artists continue to engage with their works, which may act in ways even unexpected by the artist.
Supervisor: Not available Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.797211  DOI:
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