Use this URL to cite or link to this record in EThOS: https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.794380
Title: Concert and disconcertion : the music of relationality in the cinema of Claire Denis
Author: Brown, Geoffrey
ISNI:       0000 0004 8499 577X
Awarding Body: Birkbeck, University of London
Current Institution: Birkbeck (University of London)
Date of Award: 2019
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Abstract:
This thesis argues that the interest which the films of Claire Denis display in the ever-shifting modes of relations between people is illustrated through analysis of how music is used throughout her corpus of feature films. Denis draws on an extremely eclectic palette of musical styles, and the thesis proposes that these varying musical modalities are central to her treatment of relational issues, as are the ways in which she deploys her chosen musical selections. In this thesis, I develop a number of analytical tools. I draw on the thinking of Jacques Rancière and Jean-Luc Nancy with regard to questions of relationality, community and the dissensual elements which inform both interpersonal relationships and artistic creativity. I adapt the work of Kathryn Lachman on concepts of polyphony and counterpoint in literature for application to the oeuvre of Denis, as I do the writings of Michel Chion on music in film, especially his conceptualization of empathetic modes of cinematic music. The thesis concludes that music in the work of Claire Denis operates in a mode which diverges significantly from the tenets of existing film music theory. Music in a Denis film is at the same time far more fragmentary and yet much more thoroughly integrated than allowed for by standard conceptualizations. It plays hand-in-hand with the challenges and invitations which are a feature of the cinema of Denis.
Supervisor: Not available Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.794380  DOI: Not available
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