Use this URL to cite or link to this record in EThOS:
Title: Concepts of (un)dressing in Greek drama
Author: Reinke, Antonia Marie
ISNI:       0000 0004 8501 1250
Awarding Body: University of Cambridge
Current Institution: University of Cambridge
Date of Award: 2019
Availability of Full Text:
Access from EThOS:
Full text unavailable from EThOS. Please try the link below.
Access from Institution:
In recent years, dramatic props and costumes have become the focus of a renewed scholarly interest in the performance aspects of Greek drama. This has entailed, in particular, a shift away from enquiries into the ostensible realia of Greek staging to explorations of their complex constructions, semiotics and agencies in the plays and their cultural contexts more widely. My thesis situates itself within these developments but considers the hitherto underexplored phenomenon of (un)dressing in Greek tragedy and comedy. Often treated as a matter of physical costuming, it is a central contention of my work that (un)dress in theatrical representation functions, first and foremost, as an imaginary site where ideas of social identity, difference and transformation may be mapped and negotiated. Drawing on a broad range of relevant tragic and comic scenes, I argue that both dressing and undressing are persistently evoked in Greek drama as social and interactive performances, allowing characters to (re)position themselves and others in a grid of hierarchical relations, including differences of gender and station at their core. At the same time, the agency of (un)dressing is frequently reversed in the dramatic imagination: it is the performance of (un)dressing that determines a character's social identity rather than vice versa. By exploring this dual capacity of dramatic (un)dressing, my thesis situates the theatrical concepts of (un)dressing within the plays' socio-political context in the democratic city of Athens: these concepts highlight the precarious position of the democratic citizen male, caught between traditional ideas of essential being and a pervasive public performativity of self, as well as the different representational strategies used to address this uncertainty in tragedy and comedy respectively.
Supervisor: Hunter, Richard ; Laemmle, Rebecca ; Goldhill, Simon Sponsor: Arts and Humanities Research Council ; University of Cambridge
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
Keywords: Greek Tragedy ; Greek Comedy ; Dress ; Undress ; Disguise ; Social Hierarchy ; Identity ; Athenian Democracy ; Constructions of the Body ; Performance