Use this URL to cite or link to this record in EThOS: https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792735
Title: Collaborating with ghosts to inhabit the body : adapting women's literary modernism to the stage
Author: Gardner, Nina-Marie
ISNI:       0000 0004 8499 8161
Awarding Body: Royal Holloway, University of London
Current Institution: Royal Holloway, University of London
Date of Award: 2017
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Abstract:
The novels and short stories of the modernist women writers of the late 1920s and early 1930s were considered radical in their time, not just for the ways they experimented with language and narrative style, but also for their content. My thesis explores the challenges of adapting these novels to the stage, drawing upon my own adaptation of American modernist Margery Latimer's novel This Is My Body (1930). My primary methodology is traditional scholarly research that has provided a framework for writing the play; my analysis of the play is the final focus. I argue that given the manner in which many of these narratives perform - specifically, modernist women's autobiographical novels - adaptation is already built-in, such that adapting them to the stage becomes a process of highlighting and foregrounding what is already in place. Chapter One considers the intersection of modernism and feminism, and traces the thread of feminism through the modernist movement, with a focus on the relationship between the women's rights activists and the modernist women writers. Chapter Two looks at the intersection of feminism and adaptation, with a focus on authorship, issues of fidelity and feminist adaptation strategies. Chapter Three examines the intersection between modernism and adaptation from both a historical and ideological standpoint, with a focus on the contentious relationship between modernism and theatre, and the generative impact of this tension. Chapter Four looks at the intersection of modernism, feminism and adaptation; specifically, how modernist women's autobiographical narratives perform, which in turn lends them to the stage. In order to examine my arguments in practice, I have included Portage Fancy, my own stage adaptation of Margery Latimer's novel This Is My Body (1930), which is followed by an analysis.
Supervisor: Not available Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.792735  DOI: Not available
Keywords: modernism ; feminism ; adaptation ; theatre
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