Use this URL to cite or link to this record in EThOS: https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792642
Title: Theatre and the political in Blair's 'Golden Age'
Author: Daker, Rebecca
ISNI:       0000 0004 8499 4144
Awarding Body: Royal Holloway, University of London
Current Institution: Royal Holloway, University of London
Date of Award: 2017
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Abstract:
The goal of this thesis is to make an intervention in the debates surrounding the political significance of British theatre, and specifically playwriting, during the New Labour government. In an environment of austerity under the Coalition government, journalistic commentary has tended towards a nostalgic conception of the Blair era as a 'Golden Age' of the arts marked by abundant funding and artistic freedom for practitioners. I examine the flaws of such claims, asking whether the importance placed on social and economic value during this time may in fact have had a detrimental effect on the political efficacy of the form, and how the discursive closures created by the rhetoric of Third Way democracy can best be disrupted in order to make a reimagining of political theatre possible. My central question is as follows: What effect did New Labour, and particularly the influence of Third Way social democracy, have on the relationship between plays and the political?
Supervisor: Not available Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.792642  DOI: Not available
Keywords: political theatre ; New Labour ; Arts Council England
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