Use this URL to cite or link to this record in EThOS: https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.786234
Title: Repopulating the court of the seventh pylon at Karnak
Author: Salvador, Chiara
ISNI:       0000 0004 7971 7011
Awarding Body: University of Oxford
Current Institution: University of Oxford
Date of Award: 2019
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Abstract:
The present work aims to demonstrate the relevance of the study of graffiti in a carefully defined temple context as a means to gain insights into the use and transformation of sacred space by the people who could access it. Access to temples was arguably highly controlled, and probably only restricted groups of people were allowed in certain areas of the temple. This raises important questions concerning temple accessibility, daily movements of temple staff, reactions to religious events, and the functioning of rules of decorum, which established what could conveniently be exhibited on the temple walls and what not, along with their possible breach. Chapter 1 discusses potentials of the study of graffiti in temples and issues of definitions. Here, material agency is proposed as a productive theoretical framework. Comprised in Part I of the thesis are Chapters 2 and 3. Chapter 2 presents an overview of the architectural history of the southern processional way in its main phases of transformation (construction, decoration, and partial demolition), while Chapter 3 presents a survey of secondary epigraphy along the southern processional way, with detailed descriptions of graffiti in the court of the seventh pylon. Part II, comprising Chapters 4, 5 and 6, introduces the three categories of graffiti that will be analysed through specific case studies: 1) graffiti as individual's self-display (Chapter 4); 2) graffiti as individual expressions of devotions (Chapter 5); 3) community graffiti as possible votive loci (Chapter 6). The results of this analysis, discussed in the concluding remarks in Chapter 7, are intended to serve as a point of reference for the study of similar corpora from other Egyptian temples, while providing an approach that may speak to figurative graffiti, still too often neglected, of other ancient civilizations (Nubia, ancient Greece, the Roman empire, etc.).
Supervisor: Frood, Elizabeth Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.786234  DOI: Not available
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