Use this URL to cite or link to this record in EThOS: https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.779321
Title: 'Homestories' : performing and visualising the familial in West Germany, 1961-1989
Author: Tait, Alexandra Olivia Désirée
ISNI:       0000 0004 7965 0179
Awarding Body: UCL (University College London)
Current Institution: University College London (University of London)
Date of Award: 2019
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Abstract:
This thesis explores how postwar German artists, including Gerhard Richter (b.1932), Georg Baselitz (b.1938), Sigmar Polke (1941-2010), and Isa Genzken (b.1948), have publicly mediated, performed and interrogated the familial gaze during the three decades dominated by the divisive Berlin Wall. It considers the ways in which their paintings, artist's books, and more ephemeral paper-based and printed productions have reworked and reused 'personal' photographs in works that have been repeatedly dismissed as sentimental, kitsch or disregarded as 'documents.' My project not only resituates these ostensibly 'private' images - depicting the artists in and around the home, with partners, friends, collaborators, children, and other family members - but also positions them as significant contributions to the postwar German cultural engagement with the familial. I explore the cultural meanings of these liminal images on the threshold between the private and public, and aim to understand why and how these artists repeatedly return to the familial and domestic, and the place of these works in relation to the public consciousness of the family and home in West Germany. Situating Genzken, Polke, Baselitz and Richter's familial portraits within the context of the legal, economic, cultural and social construction of the family, I outline the material conditions and contradictions of postwar identity construction in West Germany. I argue that these works can be understood as a kind of conceptual and theoretical model for rethinking the place of the familial and the personal within the discipline of art history. Fundamentally, this thesis asks: what is the critical potential of the familial? And crucially, can these works offer an 'intimate' way of looking and a model of relationality that leads out of the cul-de-sac of the biographical?
Supervisor: Not available Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.779321  DOI: Not available
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