Use this URL to cite or link to this record in EThOS: https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.778369
Title: The representation of family in Doris Lessing's fiction
Author: Senturk, Selcuk
ISNI:       0000 0004 7964 1037
Awarding Body: University of Leicester
Current Institution: University of Leicester
Date of Award: 2019
Availability of Full Text:
Access from EThOS:
Full text unavailable from EThOS. Thesis embargoed until 27 May 2023
Access from Institution:
Abstract:
This thesis examines Doris Lessing's social and political reappraisal of the family. It explores Lessing's attempt to overcome the restrictions and limitations of the family as an ideological construct through her engagement with three political movements and one mystical philosophy in her fiction: communism, feminism, Sufism, and postcolonial ecofeminism. In Chapter One, the impact of communism on the family is explored in The Good Terrorist (1985) and The Sweetest Dream (2001). A revolutionary movement that challenges normative family arrangements in theory is shown to be ultimately unable to change women's traditional roles in practice. Chapter Two looks at female discontent and shows how women reformulate their roles within the family in The Summer Before the Dark (1973) and The Fifth Child (1988). Chapter Three focuses on The Memoirs of a Survivor (1971) and Ben, in the World (2000), and suggests that Lessing employs Sufism to transform family and introduce non-normative kinship. Lastly, environmental exploitation is the subject of Chapter Four, which examines how Lessing's concern for the environment initiates changes in her representation of the family in The Grass is Singing (1950) and Mara and Dann: An Adventure (1999). The thesis highlights Lessing's broadening vision of family by comparing and contrasting two novels from different periods of her career in each chapter. It also illustrates that Lessing's representation of family develops in three phases: political, mystical and environmental. Overall, the thesis demonstrates that Lessing celebrates rather than rejects the family. Her fiction envisages alternative family structures and non-normative kinship without being anti-family.
Supervisor: Parker, Emma Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.778369  DOI: Not available
Share: