Use this URL to cite or link to this record in EThOS: https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.774943
Title: 'Evolved' traditions : the role of music in contemporary spiritual practices
Author: Febrer Coll, Eulalia
ISNI:       0000 0004 7962 1415
Awarding Body: Cardiff University
Current Institution: Cardiff University
Date of Award: 2018
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Abstract:
The role of music in the pursuit of spirituality is linked to sound's affective, socialising, and structuring affordances. However, with the progressive decline of traditional religious structures, actualised ways of relating to the otherworldly have emerged, in accordance with new technology and the needs of a 21st century public. From the incorporation of non-Western elements to the possibility of modifying sound in situ, the sacred continues to develop through ritual configurations. In this thesis, I explore the role of music in the affordance of spiritual and transcendental shifts of consciousness through an analysis of three case studies, with music at their heart: Guided Breathwork, Energy Centres Systems, and the Dance of the Vajra. I emphasise the relevance of the structure that merges the sonic, the physical, and the contextual, for the affordance of a holistic experience in each case. I contrast the mechanisms underlying each practice's musical discourse to find common threads that bind them to their social environment, from their construction as a ritual of passage to their use of music as a delimitator of the sacred. Departing from a reading of the essential concepts at the foundation of each practice as well as at their wider social level, and from a close analysis of data gathered in the field, I reframe the scoped practices under the term 'evolved' traditions. Likewise, I explore the rituals' underlying strategies in the affordance of what are perceived as spiritual shifts of consciousness, focusing on their musical structures, and define the elements involved in their successful edification. To do so, I draw attention on both the micro and macro levels of the rituals, in relation to their specific use of music - beats per minute, volume, character -, and their role in the society where they belong, respectively.
Supervisor: Not available Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.774943  DOI: Not available
Keywords: M Music
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