Use this URL to cite or link to this record in EThOS: https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.774150
Title: Perception and structure in electroacoustic music : a portfolio of compositions
Author: Tunnicliffe, Steven
ISNI:       0000 0004 7961 3597
Awarding Body: Bangor University
Current Institution: Bangor University
Date of Award: 2019
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Abstract:
Following Pierre Schaeffer's proclamation of the primacy of the ear, the composition of acousmatic music has remained a practice based on aural perception. Consequently, the relationships on which acousmatic musical structures are based may not be easily described in terms of their formal logic. Rather, perceived relationships in acousmatic works are likely rooted in complex psychological schemas based on the cultural experiences of individual listeners. Where abstract sounds are concerned, timbral or morphological similarities may form the basis of such relationships. Conversely, symbolic meanings attributed to referential sounds may engender extra-musical relationships in predictable or unpredictable ways. Thus, structural organisation in acousmatic music is inextricably linked to material. The purpose of this project was to explore structural organisation in acousmatic music through practical research in composition. The accompanying portfolio contains eleven pieces that chart the development of my compositional practice during the period 2012 to 2018, and particularly my approach to musical structure.
Supervisor: Lewis, Andrew Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.774150  DOI: Not available
Keywords: electroacoustic music ; acousmatic music
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