Use this URL to cite or link to this record in EThOS: https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.771864
Title: Victorian vagrancy : a cultural history of the wandering poor
Author: Robinson, Alistair John
ISNI:       0000 0004 7660 1590
Awarding Body: UCL (University College London)
Current Institution: University College London (University of London)
Date of Award: 2019
Availability of Full Text:
Access from EThOS:
Full text unavailable from EThOS. Please try the link below.
Access from Institution:
Abstract:
This thesis examines the representation of vagrants and vagrancy in British culture in the nineteenth century. Focused on the Victorian period, but ranging widely from the late eighteenth to the early twentieth century, it explores the portrayal of vagrants through literature, the visual arts, and the periodical and newspaper press. The study is organised around three topographies - the country, the city and the colony - and the vagrants that were imagined to inhabit them. Each of these topographies forms the backdrop for two chapters that address specific types of vagrant; these are Gypsies and hawkers, poachers, casual paupers, loafers, colonial vagabonds, and beachcombers. As this taxonomic structure suggests, the type of vagrants that were represented was dependent upon the locality in which they existed or were thought to exist. On a more granular level, location also determined their aesthetic, social and political attributes. These were conditioned, and in part expressed, by the way in which vagrants moved; the manner in which their vagrancy was articulated. This, too, was dependent upon location. Topographies shaped vagrant movement through the contours of their landscape; the resources and opportunities they provided; and the degree to which they were subject to control and observation. Using literary texts ranging from Hannah More's Black Giles (1796) to Jack London's The People of the Abyss (1903), as well as photographs, paintings, illustrations, newspapers and periodicals, this thesis builds up a detailed picture of how six vagrant types were imagined to move and to mean. In the process it explores how thinking about vagrants and vagrancy changed over the nineteenth century, and why certain types of representation became particularly common during certain historical moments. These inquiries in turn shed light upon broader social, political and historical anxieties regarding urbanisation, migration and colonisation - the potentially threatening movements of the British population.
Supervisor: Not available Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.771864  DOI: Not available
Share: