Use this URL to cite or link to this record in EThOS: https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.770816
Title: Interpreting the expressive worlds of Schubert's late instrumental works
Author: Davies, Joe
Awarding Body: University of Oxford
Current Institution: University of Oxford
Date of Award: 2019
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Abstract:
This thesis offers a contextual framework for interpreting the expressive worlds of the instrumental works Schubert composed in the last six years of his life (1822-1828), focusing on notions of the gothic, the sublime, and the grotesque. These interrelated categories are examined from both semiotic and hermeneutic perspectives, with attention devoted to their musical signifiers, notably in terms of topical content, as well as their associations with trends in literature and the visual arts. Areas of investigation include excess and transgression; death, ghostliness, and evocations of the past; emotional distress and the fear of the unknown; and an emphasis on fantasy, the sublime, and the grotesque. Case-studies are drawn from selected impromptus and sonatas for piano solo, as well as chamber and orchestral works, including the 'Unfinished' Symphony, D 759, and the String Quintet, D 956. Ultimately what emerges across the course of the study is a view of the composer's late instrumental style as one that exhibits myriad forms of aesthetic strangeness, drawing us into the psychological dimension of this extraordinary music.
Supervisor: Wollenberg, Susan ; Tunbridge, Laura Sponsor: Arts and Humanities Research Council
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.770816  DOI: Not available
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