Use this URL to cite or link to this record in EThOS: https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.768302
Title: Models, language, and fabricated histories : a portfolio of musical compositions with commentary
Author: Leavy, Peter
ISNI:       0000 0004 7653 4244
Awarding Body: University of Birmingham
Current Institution: University of Birmingham
Date of Award: 2018
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Abstract:
This portfolio consists of seven compositions accompanied by a written commentary and recordings/mock ups of the works. The compositions span a wide variety of instrumentations ranging from solo works to vocal, choral, chamber and orchestral works. The commentary provides some background to the works' conception and places them in the larger context of postmodern composition. A brief history of postmodern music is outlined and the reasons for locating my work in this area are explored. Special emphasis is placed on 'the past' as a musical preoccupation, a focus which manifests itself in various ways in all the works included. In some cases, the past acts simply as an inspiration; no attempt is made to reference it in any concrete musical way. In other works, the past is invoked using musical quotation, pastiche, or templates. A multitude of ways in which past music might appear in the present, techniques which allow such importations to achieve a number of different effects, and how these manifest themselves in my works, are all explored. Analogous compositional approaches in the music of Berio (restoration/repair), Schnittke (quotation), Holloway (composing 'upon another work'), Goehr (modeling), Chadburn (text setting) and Adès (defamiliarization) are also explored.
Supervisor: Not available Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.768302  DOI: Not available
Keywords: M Music
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