Use this URL to cite or link to this record in EThOS: https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.766884
Title: 'This may be my war after all' : the non-combatant poetry of W.H. Auden, Louis MacNeice, Dylan Thomas, and Stevie Smith
Author: Lynch, Éadaoín
ISNI:       0000 0004 7656 7978
Awarding Body: University of St Andrews
Current Institution: University of St Andrews
Date of Award: 2018
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Abstract:
This research aims to illuminate how and why war challenges the limits of poetic representation, through an analysis of non-combatant poetry of the Second World War. It is motivated by the question: how can one portray, represent, or talk about war? Literature on war poetry tends to concentrate on the combatant poets of the First World War, or their influence, while literature on the Second World War tends to focus on prose as the only expression of literary war experience. With a historicist approach, this thesis advances our understanding of both the Second World War, and our inherited notions of 'war poetry,' by parsing its historiography, and investigating the role critical appraisals have played in marginalising this area of poetic response. This thesis examines four poets as case studies in this field of research-W.H. Auden, Louis MacNeice, Dylan Thomas, and Stevie Smith-and evaluates them on both their individual explorations of poetic tone, faith systems, linguistic innovations, subversive performativity, and their collective trajectory towards a commitment to represent the war in their poetry. The findings from this research illustrate how too many critical appraisals have minimised or misrepresented Second World War poetry, and how the poets responded with a self-reflexivity that bespoke a deeper concern with how war is remembered and represented. The significance of these findings is breaking down the notion of objective fact in poetic representations of war, which are ineluctably subjective texts. These findings also offer insight into the 'failure' of poetry to represent war as a necessary part of war representation and prompt a rethinking of who has the 'right' experience-or simply the right-to talk about war.
Supervisor: Mackay, Peter Sponsor: Buchanan Scholarship ; Professor A. F. Falconer Scholarship
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.766884  DOI: Not available
Keywords: War ; War poetry ; Second World War ; First World War ; Second World War poetry ; Poetic representation ; Non-combatant ; Non-combatant poetry ; Poetic influence ; War experience ; Historiography ; Poetic tone ; Ethics of representation ; War representation ; PR605.W66L86 ; War poetry, English--History and criticism ; English poetry--20th century--History and criticism ; World War, 1939-1945--Poetry ; World War, 1914-1918--Poetry ; Civilians in war ; Auden, W. H. (Wystan Hugh), 1907-1973--Criticism and interpretation ; MacNeice, Louis, 1907-1963--Criticism and interpretation ; Thomas, Dylan, 1914-1953--Criticism and interpretation ; Smith, Stevie, 1902-1971--Criticism and interpretation
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