Use this URL to cite or link to this record in EThOS: https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.760442
Title: The cinematic mode in twentieth-century fiction : a comparative approach
Author: Bellardi, Marco
ISNI:       0000 0004 7432 4323
Awarding Body: University of Birmingham
Current Institution: University of Birmingham
Date of Award: 2018
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Abstract:
This study deals with the influence of film form in fiction in terms of narrative discourse, focusing on issues of genre, narration, temporality, and the imitation of cinematic techniques. It provides a theoretical analysis of different methodologies (intermediality theory, semiotics, narratology, genre theory) which are useful to assess how a cinematic dimension has found a place in literary writing. This research, in particular, puts forth the idea of a 'para-cinematic narrator', a 'flattening of the narrative relief', and a 'para-cinematic narrative contract' as constitutive items of strongly cinematised fiction. These three theoretical items are subsumed in the concept of 'cinematic mode in fiction', which describes a distillation of characteristics of the film form on the written page. This research therefore represents a theoretical attempt to demonstrate how the cinematic component integrates the stylistic and generic traits of novels and short stories relating to different periods, styles and genres of the twentieth century. The proposed theoretical model is tested on a corpus of American, French, and, especially, Italian case studies. The remediation of film that emerges from these texts points to a complex interconnection between cinema and literature which still requires full acknowledgment in literary history.
Supervisor: Not available Sponsor: University of Birmingham
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.760442  DOI: Not available
Keywords: PN0080 Criticism ; PN1993 Motion Pictures
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