Use this URL to cite or link to this record in EThOS: https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.760418
Title: In the shadow of Peter Brook : designing and redesigning 'A Midsummer Night's Dream' at the Royal Shakespeare Company, 1970-2000
Author: Graybill, David Joseph
ISNI:       0000 0004 7432 4083
Awarding Body: University of Birmingham
Current Institution: University of Birmingham
Date of Award: 2018
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Abstract:
The Royal Shakespeare Company's 1970 production of A Midsummer Night’s Dream, directed by Peter Brook and designed by Sally Jacobs, is the most influential production of Shakespeare in the twentieth century. Indeed its design licenced audiences, critics, academics, and practitioners to visualize the setting of the play as something more than a staid palace in Athens and a sylvan forest of actual shrubbery. Incorporating a wide range of archival material including the previously unknown full-length recording of that production, I trace how the scenography for the 1970 production has shaped institutional trends of designing Dream at the Royal Shakespeare Theatre, both visually and conceptually. In the six main stage RSC productions that followed, those directors and designers all responded to the famous white-box design to varying degrees, highlighting trends within the institution. In 1989, an artistic movement in stage design began, as practitioners at the RSC, instead of avoiding the innovative box set, boldly appropriated the design and production concepts from the 1970 production. This history of designing Dream at the RSC and the critics and academics who write on this topic, have not only shaped the modern impression of Brook and Jacobs’s production, they have noticeably transformed it.
Supervisor: Not available Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.760418  DOI: Not available
Keywords: PN2000 Dramatic representation. The Theater
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