Use this URL to cite or link to this record in EThOS: https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.759569
Title: Child's play, toys and pure games : revising the romantic child in Henry James, Elizabeth Bowen and Don DeLillo
Author: Kruger, Katherine
ISNI:       0000 0004 7431 6032
Awarding Body: University of Sussex
Current Institution: University of Sussex
Date of Award: 2018
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Abstract:
This thesis analyses the opportunities that child's play presents for language, style and reading practices in the works of Henry James, Elizabeth Bowen and Don DeLillo, and the consequent forms of literary knowledge that this relationship between play and writing produces. I argue that James's work represents a shift in literary and cultural relationships with "childhood" and trace the ways in which, following his work, childhood becomes a resistant performance of obliviousness, an unreadable subjectivity reluctantly tied to, and at points struggling against, the objects and activities associated with the child at play. In the introduction I delineate a shared history of representations of "childhood" and theories of play in order to locate what versions of the Romantic child still exist in modernist and postmodernist literature and theory. Engaging with work by Jacqueline Rose, Robin Bernstein and Daniela Caselli on the difficulty of delineating or interpreting childhood, I explore a literary preoccupation with the aesthetic value of an elusive childhood knowledge, and forms of not knowing such as innocence, located in child's play. Chapter one proposes that for James, the difficulty with reading the child is tied to the child as reader. In What Maisie Knew, James encourages what I term a childlike reading practice, which develops in response to an adult suspicion of childhood. The second chapter considers the ways in which imaginative child's play in Bowen's novels, and the work of the Romantic figure of the writer-as-child which emerges from the compulsion to appropriate this form of play, is continually disrupted by the materiality of toys. Often rendered impotent, these toys, such as tricycles and kaleidoscopes, interrupt modernity's narratives of progress, and rupture the value systems of the modernist novel that privilege difficulty and subjectivity. My final chapter identifies the ways in which DeLillo's novels attempt to redeem language by bringing pre-linguistic childhood babble into discourse to render accessible the secrets of childhood knowledge. DeLillo experiments with the pure games of poststructuralism only to contrast them with the play of the postmodern wild child able to navigate a post-apocalyptic wilderness of hyper-real simulacra. These scenes in which writers engage with toys and child's play to conceptualise the work of writing a novel and their relationship with their readership, form a narrative about the changing versions of literary knowledge that are produced in attempts to represent "childhood" in the face of its loaded Romantic literary history and twentieth-century shifts in cultural fantasies invested in the idea of the alterity of child's play.
Supervisor: Not available Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.759569  DOI: Not available
Keywords: HQ0782 Play as a childhood activity ; PR6003.O657 Bowen, Elizabeth ; PS2110 James, Henry ; PS3554.E4425 DeLillo, Don
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