Use this URL to cite or link to this record in EThOS: https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.758799
Title: The theory and practice of the development of art forms in South Asia from their first appearance until the historic period
Author: Barreda Monge, Frederick Henry
Awarding Body: SOAS University of London
Current Institution: SOAS, University of London
Date of Award: 1973
Availability of Full Text:
Access from EThOS:
Full text unavailable from EThOS. Please try the link below.
Access from Institution:
Abstract:
This work deals with a vast area of the Asian continent, India, as its frontiers have moved, across millenia. Beginning in very remote prehistory, in this region there developed a complex civilization whose concern with philosophical thought gave rise to very rich expression in the plastic arts. The following pages are thus an attempt to describe some of the principal features of a number of forms, over a long period of years. But only those forms which illustrate most clearly the evolution of the plastic arts are discussed in detail, others are merely mentioned in passing. This study begins with the first forms of expression in the art and thought of India, considering the influences of the environment on man, and deals with the first creations by man in prehistory. It discusses the tools (how materials and techniques developed), and early pictorial expressions in caves and rock-shelters (beginnings of composition). It is a study of form-in the civilization of the Indus Valley-in which materials, techniques and composition are analysed. The forms characteristic of this period, Harappan or "classic" art, are also to be seen in the periods before and afterwards. Outside influences at particular moments are also considered. The codification of form in the Harappan period foreshadows the canons of art of the historical periods to follow. Form may be understood through the analysis of archaeological discoveries. This work is concerned with the analysis of the aesthetic aspects of such archaeological discoveries, revealing forms Whose origins and evolution may be seen in the art of early India. There is included a collection of drawings, photographs and color slides.
Supervisor: Not available Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.758799  DOI: Not available
Share: