Use this URL to cite or link to this record in EThOS:
Title: Restaging place : performativity and the camera : Parliament Square recast through social media photography
Author: Brocklehurst, Judith
ISNI:       0000 0004 7429 2958
Awarding Body: UCL (University College London)
Current Institution: University College London (University of London)
Date of Award: 2018
Availability of Full Text:
Access from EThOS:
Full text unavailable from EThOS. Please try the link below.
Access from Institution:
This practice-related study of a politically charged public place, Parliament Square, London is led by an examination of social media photographs that have been taken there and posted online. The photographs have been removed from the fast flow of social media, transposed to analogue film, slowed and analyzed. During this physical process four social activities emerge: tourism, protest, state occasion and the everyday. An investigation into each of these areas is instigated by a close examination of one related photograph. This investigation occurs theoretically and in the realm of performative sculptural, photographic and film practice. As well as being a study of the actual place, the Square offers a public location from which to reflexively examine its virtual equivalents online. Through performative practice, my study highlights commonalities between the role of photographs, monuments and public places as methods of representing historical understandings and their democratic potential: the ‘everyday’ of the Square and photography. The study investigates the role of photography in the construction of place – deconstructing how tourists pose and gaze into the camera to return to the singularity of the individual experience. The enquiry continues to look at Parliament Square as a place of political protest counter to the dominant state narrative of the past and the present. It is a place where particular narratives are embodied and celebrated, often misrepresenting the complexity of the past. The four photographs are restaged in the studio. Here they become a distorting mirror of both actual and virtual places revealing an absence that arguably occurs within all photographs. This absence might allow the viewer to relate to the subject depicted, find common ground, as well as develop a critical self-awareness and openness to the views of others.
Supervisor: Not available Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID:  DOI: Not available