Use this URL to cite or link to this record in EThOS: https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.754313
Title: Story, storying and storytelling : a reflection on documentary film, music and theatre as creative arts research practice
Author: Tordzro, Gameli Kodzo
ISNI:       0000 0004 7427 352X
Awarding Body: University of Glasgow
Current Institution: University of Glasgow
Date of Award: 2018
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Abstract:
‘Story’ lifts and carries ‘Voice’ with which we can express what we sense. This thesis is an Autoethnographic reflection that charts theoretical and methodological reasons for ‘harnessing’ my (Gameli Tordzro) Aŋlɔ-Eʋe story, storying and storytelling practices in the making of the film ‘Music Across Borders’, the ‘Ha Orchestra Music Project’ and the ‘Broken World, Broken Word’ devised theatre project. It also covers how this is also established in my participating in and contributing to the development, and production of ‘Vessels 2015’ and ‘Last Dream (On Earth) theatre productions as artistic research. The productions focus on story, expressing the lived experience, and how the value, knowledge, opinion, belief, and culture, within such expression represent ‘voice’. ‘Story’ is how we package and present the lived experience. Thus, ‘story’ and ‘voice’ are linked. I assume a subjective stance and a position within the research as an Aŋlɔ-Eʋe multi-genre storyteller and present my understanding of methods and processes of music-making, film-making and theatre-making in a Ghanaian and an Afro-Scot (and New Scot) diaspora context. I re-activate the idea of decolonization - reclaiming, carrying and lifting ‘voice’ - through storytelling on screen, on stage and in music. It is accepted for ethnographers to be positioned within their text; Patricia Leavy, (Leavy, 2015), and David Inglis with Christopher Thorpe, (Inglis and Thorpe, 2012) describe ways in which people perceive and act upon their social world in the constant process of achieving their sense of reality as social actors. Barrett (Barrett and Bolt, 2007) also draw on materialist Martin Heidegger’s notion of “handleability” to argue that artistic research demonstrates how knowledge is derived from doing and from the senses. I explore Aŋlɔ-Eʋe ways of sense making through story. This artistic inquiry takes the form of the practical making, producing and reflecting on music, film and theatre drawing on Aŋlɔ-Eʋe storytelling traditions. It is an artistic Autoethnographic research, it is generative of material arts, social interaction and transformation on the levels of the individual, the community and cultural capital. This thesis is to be read in conjunction with and as a follow-up to the portfolio of productions attached as the main part of the research.
Supervisor: Not available Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.754313  DOI: Not available
Keywords: HT Communities. Classes. Races ; L Education (General) ; NX Arts in general
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