Use this URL to cite or link to this record in EThOS: https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.752918
Title: A poetics of uncertainty : a chorographic survey of the life of John Trevisa and the site of Glasney College, Cornwall, mediated through locative arts practice
Author: Diggle, Valerie Ann
ISNI:       0000 0004 7426 0294
Awarding Body: University of the Arts London and Falmouth University
Current Institution: University of the Arts London
Date of Award: 2017
Availability of Full Text:
Access from EThOS:
Full text unavailable from EThOS. Please try the link below.
Access from Institution:
Abstract:
Connections between the medieval Cornishman and translator John Trevisa (1342-1402) and Glasney College in Cornwall are explored in this thesis to create a deep map about the figure and the site, articulated in a series of micro-narratives or anecdotae. The research combines book-based strategies and performative encounters with people and places, to build a rich, chorographic survey described in images, sound files, objects and texts. A key research problem – how to express the forensic fingerprint of that which is invisible in the historic record – is described as a poetics of uncertainty, a speculative response to information that teeters on the brink of what can be reliably known. This poetics combines multi-modal writing to communicate events in the life of the research, auto-ethnographically, from the point of view of an artist working in the academy. As such, it makes a pedagogical contribution to reflective writing about creative practice. John Trevisa, in the context of contemporary Cornish culture, is a contested figure because his linguistic innovations, in the course of translating key texts from Latin into the English vernacular, make no obvious contribution to Kernowek (Cornish), which is currently undergoing revival from a position of extinction. However, Glasney College, where Trevisa is likely to have been educated, is generally regarded as the centre for the production of the Ordinalia, a cycle of medieval mystery plays written uniquely in Kernowek. This thesis considers the vocabulary that Trevisa innovated, such as concept, fiction, virtual, as crucial to research writing but calls for a new vocabulary to articulate the feminised, labile research processes that characterise this research. It also uses the site and the figure as templates to articulate wider, contemporary systems under stress socially, culturally and politically.
Supervisor: Not available Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.752918  DOI: Not available
Keywords: Literature in translation ; History of Art ; Prose Writing
Share: