Use this URL to cite or link to this record in EThOS: https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.752462
Title: Theatres of colonialism : theatricality, coloniality, and performance in the German Empire, 1884-1914
Author: Skwirblies, Lisa
ISNI:       0000 0004 7425 592X
Awarding Body: University of Warwick
Current Institution: University of Warwick
Date of Award: 2017
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Abstract:
This dissertation investigates the nexus between theatre and colonialism in the German empire between 1884 and 1914. It introduces the concept of colonial theatricality, through which it explores to what extent theatre and colonialism have been productive of each other’s orders, knowledge formations, and truth claims. This dissertation thus looks at the empire through its cultural manifestations and its ‘representational machinery’, specifically the theatre. It provides an understanding of the German colonial empire that goes beyond its territorial, administrative and military strategies. In order to do so, the dissertation discusses a broad set of performances that the German empire brought forth at the turn of the century: popular theatre performances that mediated the colonial project to a domestic audience, amateur theatre societies that staged ‘German culture’ in the colonies, colonial ceremonies that included repertoires of the settler as well as of the indigenous population, court-hearings of African individuals residing in Germany claiming their rights, and a petition from the former German colony Kamerun charging the German government with crimes against humanity. Beyond the appearance of the colonial project as a topical issue on stage, this dissertation argues for a deeper-seated interdependence between theatre and colonialism, one that can be detected in the dynamics of ‘seeing’ and ‘showing’. Through the concept of colonial theatricality as a particular mode of perception and representation akin to both the theatre and the colonial enterprise, this dissertation suggests a new framework for looking at the entangled histories of metropole and colony in focusing on the empire’s ordering truth, its formations, effects, and ambivalences.
Supervisor: Not available Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.752462  DOI: Not available
Keywords: PN2000 Dramatic representation. The Theater
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