Use this URL to cite or link to this record in EThOS: https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.747897
Title: 'Nature is the symbol of spirit' : the spiritual cartographies of Robert Frost's poetry
Author: Elsanosi, Mabroka A. M. A.
ISNI:       0000 0004 7232 7432
Awarding Body: Loughborough University
Current Institution: Loughborough University
Date of Award: 2017
Availability of Full Text:
Access from EThOS:
Access from Institution:
Abstract:
Informed by the insights of scholarly authorities including Lionel Trilling and Randall Jarrell, critics since the mid-twentieth century have been wont to find in the corpus of Robert Frost a profound pessimism, Gothicism, and scepticism. This seems to go against the grain of Frost s reputation as one of the most popular and revered of American poets. The dominant critical discourse surrounding the poet holds that beneath the surface of Frost s homespun wisdom and provincial charm beats the heart of a despairing man, whose poetry reflects the abandonment of hope, the stark confrontation between the frail and fleeting human and the indifferent and eternal universe. This study does not seek to invalidate this critical perspective entirely, but it does propose a modulation and counter-reading. In this study, I will argue that Frost s philosophical and aesthetic orientations are far more robust and sophisticated than traditional Gothic readings alone can accommodate. The potentially unnuanced categorization of Frost as a Gothic scribe of doom and gloom misrepresents a complex and often ambivalent aesthetic rooted in a fundamental dualism. Though often antagonistic to organized religion, Frost must nevertheless be recognized as a spiritual poet who combines doubt with faith, despair with hope and darkness with light.
Supervisor: Not available Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.747897  DOI: Not available
Share: