Use this URL to cite or link to this record in EThOS: https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.744156
Title: Drawing (non)tradition : matriarchs, motherhood and the presentation of sacred text in "The Book of Genesis, Illustrated by R. Crumb"
Author: Domoney-Lyttle, Zanne
ISNI:       0000 0004 7223 6143
Awarding Body: University of Glasgow
Current Institution: University of Glasgow
Date of Award: 2018
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Abstract:
In 2009, Robert Crumb produced a singular work, The Book of Genesis, Illustrated by R. Crumb, which purports to be a faithful, graphical interpretation of the book of Genesis from the Hebrew Bible. Among other sources, Crumb states that he used Robert Alter’s translation and commentary on Genesis to inform his work, along with the King James Version (KJV), the Jewish Publication Society Version (JPS) and Sarah the Priestess: The First Matriarch of Genesis by Savina J. Teubal; from those, he produced his own interpretation together with annotations to explain his interpretive decisions. Remediating ancient, biblical text into modern, graphical comic books affects the reception of the text in a myriad of ways. The aim of this thesis is firstly to investigate how Crumb’s use of comics tools and resources impact his remediation of Genesis, by discussing his visual and textual decisions. This wider question is focused into three case studies, which are each based in the narratives of the matriarchs of Genesis and the theme of motherhood. The second aim of this thesis is to discuss the presentation of the matriarchs in Genesis, Illustrated as pro-feminist, strong, dominant characters within the narrative. This is a characterisation which subverts traditional readings of the women of Genesis, as well as expectations of Crumb as an author. Accusations of misogyny and sexism have followed Crumb throughout his career, which are challenged when the reader is presented with his pro-feminist matriarchal remediation of the biblical text. By presenting a focused analysis of the theme of motherhood within Genesis, Illustrated, wider issues concerning popular-cultural remediations of the Bible in general begin to surface, including matters concerning reception in biblical comics, the space between art and literature inhabited by biblical comics, and issues of translation and interpretation within contemporary remediations. Genesis, Illustrated shows the importance of graphical remediations in exploring the boundary crossings between ancient script and modern, popular culture, regenerating and re-presenting the text for the modern reader.
Supervisor: Not available Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.744156  DOI: Not available
Keywords: BS The Bible
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