Use this URL to cite or link to this record in EThOS: https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.742166
Title: The development of early English playhouses, 1560-1670
Author: Harper, Lana Marie
ISNI:       0000 0004 7227 1125
Awarding Body: University of Sussex
Current Institution: University of Sussex
Date of Award: 2018
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Abstract:
This thesis presents a study of playhouse spaces and the theatre industry in early modern England, and how they developed from 1560-1670. The period considered spans the English civil wars and Commonwealth to complicate the notion of a cessation of theatrical activity in 1642, and argues against the division of theatre history into distinct Renaissance and Restoration periods. The study builds on recent scholarly trends which have productively read early modern playing companies as consistent cultural entities with individual identities, by extending and applying this methodology to playhouse spaces. As such, this thesis proposes that all early modern playhouses had unique identities, and suggests that the frequent division into amphitheatre and indoor playhouses can produce an oversimplified binary with homogenising consequences. Moreover, it argues that a problematic, undertheorized hierarchy of playhouses exists; a key factor being the strength of the playhouse's connection to Shakespeare, which has led to the prioritisation of the Globe in particular. This thesis problematises the metrics which have been used to assess the importance of playhouses; it offers alternative factors but also suggests it is more important to ascertain unique aspects of playhouse identities than to create a hierarchy between them. Case studies of the Curtain (c.1577-c.1625), Salisbury Court (1629-1666) and Gibbons' Tennis Court (1653-c.1669) demonstrate how distinct aspects of playhouses' identities can be established by proposing dimensions of their unique reputations based on their known repertories. Collectively, these studies also demonstrate how playhouse space developed over time. This study concludes that each of these playhouses have been undervalued in scholarly narratives. By producing substantial accounts of these neglected spaces this thesis contributes towards a rebalancing of emphasis in early modern scholarship, and it also demonstrates that a wider reappraisal of early modern playhouse space is necessary in the future.
Supervisor: Not available Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.742166  DOI: Not available
Keywords: PR0421 Elizabethan era (1550-1640) ; PR0621 Drama
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