Use this URL to cite or link to this record in EThOS: https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.739023
Title: Ray Loriga : la culpa de la inocencia
Author: Murillo Mir, Carles
Awarding Body: University of Edinburgh
Current Institution: University of Edinburgh
Date of Award: 2011
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Abstract:
MEMORY This doctoral thesis is the first study that analyzes as a whole part of the narrative of Ray Loriga. The objective is to establish the interpretative parameters to from which it is demonstrated as the first stage of its literary production, Worst of all, Heroes and Cai'dos del cielo, is about the dichotomy between guilt and innocence. The main theoretical body that is used is Being and Martin's time Heidegger, the three volumes of Time and Narrative by Paul Ricoeur and Logica del limit of Eugenio Trias. The value of this investigation is to present the first part of Loriga's work as a whole and from a thematic and poetic point of view. Heidegger's takes the definition of existence as guilty and the internal time that constitutes the existence. From Paul Ricoeur is shown as the narrative activity treasures the ability to represent time, which Heidegger considers as the basis to interpret existence. To investigate how the characters carry out this action, the way in which the novels are written is explored, which is the method From which is illustrated how human existence is dichotomous and offers a explication about the poetry of Loriga. The study does not reject the main theoretical discourses under which Loriga's narrative is analyzed and which deal on the ideology and aesthetics of postmodernity. However, it goes further because introduces the subject notion of Eugenio Trias as Ti'mite 'and finds in the narrative of Loriga the possibility of representing, through the word and the symbol, the existence. MEMORIA Esta tesis doctoral es el primer estudio que analiza en su conjunto parte de la narrativa de Ray Loriga. El objetivo es establecer los parametros interpretativos a partir de los cuales se demuestra como la primera etapa de su produccion literaria, Lo peor de todo, Heroes y Cai'dos del cielo, versa sobre la dicotomica relacion entre culpa e inocencia. El principal cuerpo teorico que se emplea es Ser y tiempo de Martin Heidegger, los tres volumenes de Tiempo y narracion de Paul Ricoeur y Logica del limite de Eugenio Trias. El valor de esta investigation es presentar la primera parte de la obra de Loriga como un conjunto y desde un punto de vista tematico y poetico. De Heidegger se toma la definition de existencia como culpable y el tiempo interno que constituye la existencia. A partir de Paul Ricoeur se demuestra como la actividad narrativa atesora la capacidad de representar el tiempo, que Heidegger considera como base para interpretar la existencia. Para investigar como los personajes llevan a cabo esta action, se explora el modo en que las novelas estan escritas, que es el metodo a partir del cual se ilustra como la existencia humana es dicotomica y se ofrece una explication acerca de la poetica de Loriga. El estudio no desestima los principales discursos teoricos bajo los cuales se analiza la narrativa de Loriga y que versan sobre la ideologfa y estetica de la posmodernidad. Sin embargo, va mas alia porque introduce la notion de sujeto de Eugenio Trias como Ti'mite' y encuentra en la narrativa de Loriga la posibilidad de representar, a traves de la palabra y el sfmbolo, la existencia.
Supervisor: Not available Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.739023  DOI: Not available
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