Use this URL to cite or link to this record in EThOS: https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.731232
Title: Restless collection : Ivan Vladislavić and South African literary culture
Author: Reid, Katie
Awarding Body: University of Sussex
Current Institution: University of Sussex
Date of Award: 2017
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Abstract:
This thesis explores Ivan Vladislavić's negotiation of the call for a specifically South African ‘signatured authorship' as his body of work travels its literary marketplaces. Identifying an accretive logic and a curatorial mode through a series of his prose-fictions, it seeks to contribute to emergent discussions about Vladislavić's increasing visibility on the world-literary stage and the difficulties of positioning his canny reflexive texts on its terms. Between print-cultural and textualist approaches, the thesis registers the imprint in Vladislavić's oeuvre of other roles and institutional spaces he has occupied in South African literary culture – as an editor, a parallel career begun with oppositional publishers Ravan Press in 1984, and in his longstanding engagement with the visual arts and urban studies – to investigate the ways that Vladislavić's authorial position simultaneously evokes and displaces white, Anglo-South African literary authority. My readings, focused on acts of collecting, collector figures and collections of ‘small' locally produced texts, thus range between the neglected pre-lives of stories collected by Vladislavić's first book, to the multiple textual surfaces and self-references embedded across his most recent novel. Engaging the critical figure of ‘gathering' and its crossings in the discursive institutions of literature and the archive, I open a number of interrelated concerns with writing South Africa from a site of cultural privilege, and with them, Vladislavić's subtle and complex handling of attendant questions, of assembly, custodianship, and proprietorial relations. Tracing Vladislavić's ‘gatherings' and their variously accreted ‘worlds', I argue that they are reciprocally resistant to market strategies of accommodation whilst enacting a performative and aesthetic openness to the world. My thesis therefore demonstrates a paradoxical relationship of Vladislavić's work to unified literary spaces, the often vexed (post)national and global literary-critical categorisations, and his emergence as a South African ‘world writer'.
Supervisor: Not available Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.731232  DOI: Not available
Keywords: PR9354.2 South Africa. History. General works
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