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Title: Towards a eucharistic theatre : the theatrical theologies of the Reduta, the Rhapsodic Theatre, and Grotowski's Lab
Author: Matson, Cole C. E.
ISNI:       0000 0004 6498 7529
Awarding Body: University of St Andrews
Current Institution: University of St Andrews
Date of Award: 2016
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This thesis explores the use of eucharistic language in the theatre theories of three different mid-20th-century Polish theatre companies--the Reduta Theatre, the Rhapsodic Theatre, and the Laboratory Theatre--especially as expressed in the writings of their respective primary founders: Juliusz Osterwa, Mieczysław Kotlarczyk, and Jerzy Grotowski. The thesis also describes how the Rhapsodic and Laboratory Theatres inherited different elements of the Reduta tradition, and how those two diverging branches of the Reduta's legacy have affected contemporary theatre. In addition, the thesis examines how different 20th-century theatre theorists have related the eucharist to theatre, and evaluates the legitimacy of the claim that religious rituals such as the eucharist can and ought to be replaced by secular theatrical rituals. Special attention is paid to Carl Lavery's three views of the sacred: secular, theological, and a/theological. Alexander Schmemann's conception of the eucharist is used to correct Lavery's presentation of the theological sacred and to argue for the possibility of a Christian sacred theatre, or a "eucharistic theatre." The thesis defines the concept of a eucharistic theatre; demonstrates the extent to which the Reduta, Rhapsodic, and Laboratory Theatres meet this definition; and suggests some ways in which a eucharistic theatre may be created today.
Supervisor: Hart, Trevor A. Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID:  DOI: Not available
Keywords: Reduta Theatre ; Rhapsodic Theatre ; Laboratory Theatre ; Juliusz Osterwa ; Mieczyslaw Kotlarczyk ; Jerzy Grotowski ; Karol Wojtyla ; John Paul II ; Eucharist ; Theatre ; Eucharistic Theatre ; Ritual ; PN2859.P6M28