To what extent is British African Pentecostal Megachurch (BAPMC) a postmodern phenomenon, and has APMC influenced the western Pentecostal worship style in any way? The plethora of literature on Megachurches reveals a gap in knowledge about African Pentecostal Megachurch (APMC) worship and its influences, especially within the UK. Consequently, there is a need to research if the APMC worship concept is a postmodern phenomenon. This study seeks to investigate and determine if there is any influence and to what extent the African Pentecostal Megachurch is a postmodern phenomenon. To determine this, the study examines early African religion, missionary Christianity, African Instituted Churches, African Pentecostalism, transmigration and African immigration, the Black Church, African Diaspora and the Megachurch to give an understanding of African worship concept in comparison to what is obtainable today. A research methodology peculiar to this study was adopted, which involved using four APMCs in London as case studies to generate sufficient data to answer the research question along with existing literature and research projects by Megachurch experts. This study used the western contemporary culture (WCC) as a lens to view how these APMCs worship today compared to the African early worship styles and establishes that a relationship exists between the WCC and the APMCs’ worship concept; that WCC has influenced the APMC worship concept. Likewise, the western Pentecostal worship style has been influenced by African Pentecostal worship features. Throughout this thesis, the phrases ‘postmodernism’ and ‘WCC’ will be used interchangeably.