Title:
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A performance-centred narrative inquiry into the gender narratives of postgraduate student teachers
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This dissertation represents an inquiry into the narratives of gender embedded in the
narratives of experience of a cohort of postgraduate student teachers, in the first semester
of a three-semester initial (primary) teacher education programme in Ireland. The inquiry
involved an attempt to explore gender narratives (using an inquiry based approach to
aesthetic education) on a drama education course. The aims of the inquiry were 1) to make
visible the extent to which gender, as a cultural construction, is taken for granted, 2) to
interrupt culturally dominant narratives of gender with narratives that reveal their effects
and the power structures upholding them, and 3) to create possibilities for the students to
generate alternative constructions of gender and alternative narratives of experience. The
focus was, therefore, a pedagogical as well as a research/inquiry one.
The teaching/inquiry process was guided by the notion that people make sense of their
experiences and shape their identities by making and sharing (or performing) stories.
Guided thus, narrative and arts-based approaches were used as research/inquiry methods,
as pedagogical approaches and as representational tools. Engagement with theoretical
literature was integral to both the teaching/inquiry process and the subsequent
representation/inquiry process. Among the theoretical narratives engaged with are feminist
post-structuralism and performance studies. In these narratives, identity, knowledge and
truth are constructed as provisional, in process, multiple, interconnected and embedded in
larger systems of power. So, as a performance-centred narrative inquiry, this inquiry does
not focus on structures or products but on the stories, tensions and performances that are
produced by these structures and products.
The dissertation text represents but one possible account of the teaching/inquiry process in
which the students and the researcher (co)performed their narratives in the making. And, in
its employment of multiple forms of representation, the dissertation text is constructed to
open spaces for readers to engage with it in multiple ways.
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