Title:
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Animal camouflage : can you see me or not?
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Camouflage is a classic example of the power of natural selection. While the general benefits
of camouflage are apparently obvious, understanding the precise means by which the viewer
is fooled represents a challenge to the biologist, because camouflage is an adaptation to the
eyes and mind of another animal. A goal of my project is to understand cryptic defence, and
its relationship with the background. In this study, moths, both real and artificial, were used
as a model of cryptic camouflage in order to understand untested theories of protective
colouration in animals; additionally, to evaluate whether the results generalize across birds
and humans. Chapter 1 provides a brief review of the existing literature in the field, starting
with all the recognised types of camouflage and the general principles of them for minimising
detection; human, avian and insect vision science are reviewed in relation to object detection
and pattern discrimination. Chapter 2 is an introduction to the visual systems of the animals
involved in this study, including human, birds and insects. Due to the differences amongst
them, we cannot investigate and measure colour and pattern by using human vision as the
standard; therefore the other section in this chapter is the methodology of digital image
analysis that relates to these visual systems. Chapter 3 is an investigation of the factors that
influence visual search, by birds and humans, for camouflaged objects against natural
complex backgrounds, including similarity in colour and luminance, and so-called 'feature
congestion' in the immediate background: rapid colour and luminance changes, and variation
in orientation of relevant and irrelevant items. Chapter 4 is an investigation of how important
patterns (textures) with lower or higher spatial frequencies, on objects of different sizes, are
for concealing them on natural backgrounds. Chapter 5 tests whether the previous
conclusions regarding camouflage really are the case in the real world, by analysing the
patterns of real moths in relation to the backgrounds they are sitting at. Chapter 6 comprises
general conclusions on what we have learnt from the research in this thesis and priorities for
future investigations.
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