Title:
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New technologies and experimental practices in contemporary Irish traditional music : a performer-composer's perspective
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This thesis and supporting portfolio examine the intersections between Irish traditional music, experimental
music practices, improvisation and interactive technologies. The author is a traditional musician (harper and
concertina player), composer and sound engineer. These practices are reflected in a layered methodology that
combines ethnography, composition, historical and musicological research, software and interface design, and
performance. A portfolio of compositions, improvisations, experiments and demonstrative videos supports the
thesis.
The second half of the twentieth century marked a revival in Irish traditional music, as well as a flourishing of
experimental music activity. John Cage linked Irish traditional music and experimental music composition in
Roaratorio, an Irish Circus on Finnegan's Wake. The thesis discusses the creation and performance of a new,
multimedia realisation of Cage's score: Owenvarragh, a Belfast Circus on The Star Factory. It discusses
improvisation, unconventional notation, human-computer interaction, chance and indeterminacy in Irish
traditional music, and the role of the audience. The thesis further describes new systems for improvisation with
and without electronic technology, comparing existing variation with free improvisation from th~ point of view of
the traditional musician. The work embraces the presentation of Irish traditional dance music without dancers,
and exploits the consequences of this for previously rigid rhythmic structures. _
The idea of the traditional musician as a solo performer shapes the work, and drives the creation of several
interactive systems for solo performance of Irish harp with computer. Key issues discussed include the capture
of rhythm in live electronics, flexibility in control, and the inclusion of spontaneity in performance. A new piece
for harp and live electronics is presented, in which the computer sound is controlled by wireless motion sensor.
The intersection of Irish traditional and experimental music is shown to be a productive route to explore a wide
range of artistic, social and cultural ideas
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