This portfolio of compositions, prose and critical contextualisation is a practice-led PhD that incorporates site-specific field recording practice and electroacoustics into post-techno music production. Combining psychogeographical strategies and phonographic practices to investigate the production of a poetry of place within a rapidly gentrifying city, it also includes poetry and fiction written within the urban and architectural context of Newcastle upon Tyne from 2008 to 2012. An interactive city-wide art installation called Surrogate City brought these elements together during 2012 and is documented here. Straddling the cleft between rhythm, literature and place, this thesis draws on the writings of 20th century Irish writer James Joyce and contemporary African-American poet Nathaniel Mackey among others to quarry and sound out a particular relationship between music and writing centered around ideas of rhythm, meter and beats, specifically with regards to concepts of slippage and swing. An album of electronic music called Glyphic Bloom constructed from field recordings and experiments in beat programming is the fulcrum on which this practice-led research rests.