Use this URL to cite or link to this record in EThOS:
Title: Form of fix : Transatlantic sonority in the minority
Author: Mansell, Lisa
ISNI:       0000 0004 2751 1046
Awarding Body: Cardiff University
Current Institution: Cardiff University
Date of Award: 2007
Availability of Full Text:
Access from EThOS:
Access from Institution:
The "Critical Introduction" is a concise formal essay that contextualizes and supplements the critical and philosophical ideas presented in my dissertation. It provides a critical backdrop to the work and re-traces my critical role models, literary ancestors, the points of identification from which my writing emerges. It also serves as a critical component towards the submission of the dissertation for a PhD in Critical and Creative writing, although the main body of the dissertation itself is a meta-critical blended space of both discourses. SUMMARY OF "FORM OF FIX: TRANSATLANTIC SONORITY IN THE MINORITY" Form of fix: Transatlantic Sonority in the Minority is a creative-critical text that explores White-Welsh and African-American cultural identities as plural and fragmented sequences of interpellation through sonic and visual schemas of signification. This sonicjscopic double-interpellation accommodates a conflicting dual-identification with the empirical self and with the dominant oppressor. This shifting and blending of role-models leads to a fracture of canon, loss and reapportions of ancestor, and allows parallels between traditionally disparate cultures to cross boundaries of race, space and rigid hierarchies of minority/dominant. This dissertation interrogates and surveys extremes of textual production to reflect this depolarization of binaries motivated by canon-fracture: from Shakespeare to Slave-Song, Mabinogi to Nathaniel Mackey.
Supervisor: Not available Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID:  DOI: Not available