Use this URL to cite or link to this record in EThOS:
Title: In the image of Saint Luke : the artist in early Byzantium
Author: Raynor, Rebecca Elizabeth
ISNI:       0000 0004 2739 2622
Awarding Body: University of Sussex
Current Institution: University of Sussex
Date of Award: 2013
Availability of Full Text:
Access from EThOS:
Full text unavailable from EThOS. Please try the link below.
Access from Institution:
This thesis discusses the role and place of artists who painted icons in Early Byzantium. To date, they have not been the focus of much academic attention. Instead, information about artists is spread across a range of discussions concerning Byzantium and the history of art. This thesis collates and interprets the empirical and theoretical evidence to concentrate on the people who produced religious portraits before Iconoclasm. In so doing, I seek to further our understanding of these individuals, and offer a more nuanced view of their socio-cultural context, their practices, and the images they painted. This thesis is structured around two definitions of what the Early Byzantine artist could be: ideal and real. I start with the legend that St Luke painted portraits of Christ and the Virgin from life. Part One, ‘The Ideal Artist', considers in turn: the legend of St Luke as an artist and its origins; Luke as an ideal artist; and two other ideal artists: God and the emperor. Part Two, ‘The Real Artist', considers in turn: icons; literary and legislative texts; and finally the motivation for producing religious imagery before the eighth century. The anonymity of artists working in the Early Byzantine period seems to have delayed scholarly interest in them. In this thesis, however, I consider their anonymity as crucial evidence for who artists were: believers. Christian faith in Byzantium is a recurrent theme in this thesis. I argue that artists practiced humility by not signing their work and painted icons to demonstrate, develop, and deepen their love for God. Further, I argue that artists who depicted Mary and Jesus as Mother and Child, as Luke had done, imitated the Evangelist and participated in his image.
Supervisor: Not available Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID:  DOI: Not available
Keywords: N6250 Byzantine art