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Title: Slip, split, snag : diagramming the time image between Deleuzean theory and fine art practice
Author: Knox-Williams, Charlotte
ISNI:       0000 0004 2731 1984
Awarding Body: University of Southampton
Current Institution: University of Southampton
Date of Award: 2012
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The project has engaged critically and reflectively in a series of investigations through Deleuzean theory and fine art practice. It has explored the functions of the diagram in relation to direct images of time, identifying novel perspectives on these aspects of Deleuzean theory through interconnections and a reciprocally transformative engagement with art practice. The research offers fresh insight into the complicated temporal shifts that become apparent through practice by layering visual and discursive elements. The work is concerned with the interrelation and transformation of different temporalities across surfaces and screens, and is situated in the intersections between text, film and drawing. <- Text functions in, about and as practice, and theory feeds and folds through processes of making. The interactions between analogue and digital, and the superposition and overlaying of the surfaces of drawings with projection are of particular importance. Digital film projections are traced and drawn, and the resulting layered surfaces are filmed again, repeatedly marked over and superimposed. The research addresses how these complex interrelationships might be understood as time images, and how different functions of the diagram can be seen to activate or make possible these direct perceptions of time. The diagram, in a Deleuzean sense, is characterised by a continual splitting that is simultaneously a divergence. Coming apart just as it runs together, the diagram is a marking out or working through that is provisional, temporal and engages with what is yet to be. The time image is identified as an instance in film where the virtual, or pure past and possibility, is perceived in the present. A stable, interwoven structure is developed through Bergson's theories of perception, recognition and memory, and this acts as a surface across, on and within which the main body of the text takes place. This is separated into three parts and each section proposes the interrelationship of a different diagrammatic function and a particular imaging of time. These are seen to arise through: slips, or loose, errant linkages; splits, or simultaneous bifurcations between
Supervisor: Harland, E. J. Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID:  DOI: Not available
Keywords: N Visual arts (General) For photography, see TR