The aim of this thesis is to examine the relationship between tourism and remembrance in a landscape of war, specifically the Normandy beaches of World War II where the D-Day Landings of June 6, 1944 took place. The anthropological investigation employs a theoretical framework that incorporates tourist performance, tourism worldmaking, landscape, cultural memories of war and remembrance. The thesis also examines the tourism-remembrance relationship by way of the various vectors that inform cultural memory, such as the legend of D-Day, national war mythologies and war films, and how these are interpreted and refashioned through tourism.