Use this URL to cite or link to this record in EThOS: https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.538299
Title: Image and influence : the political uses of music at the Court of Elizabeth I
Author: Butler, Katherine Anne
ISNI:       0000 0004 2708 0450
Awarding Body: Royal Holloway, University of London
Current Institution: Royal Holloway, University of London
Date of Award: 2011
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Abstract:
In their Cantiones sacrae (1575), court musicians William Byrd and Thomas Tallis declared that 'music is indispensable to the state' (necessarium reipub.). Yet although the relationship between Elizabethan politics and literature has been studied often, there has been little research into the political functions of music. Most accounts of court music consist of documentary research into the personnel, institutions and performance occasions, and generally assume that music's functions were limited to entertainment and displays of magnificence. However, Elizabethans believed that musical concord promoted a social harmony that would ease the process of government; hence politics and music were seen as closely connected. This thesis is an interdisciplinary investigation into the role of music in constructing royal and courtly identities and influencing Elizabeth's policies and patronage. It considers the political meanings of music within court entertainments (plays, masques, tournaments, progresses and royal entries), social life (accompanying dancing or dinner) and private recreation. Firstly, through the exploitation of music's ambiguously gendered connotations of feminine seductiveness and masculine order, Elizabeth and her courtiers were able to use music as a source of authority. Courtiers used music to fashion their aristocratic identities, petition the Queen, sweeten unpalatable political messages, or offer political counsel. Finally, music was a valuable tool for shaping national identities, either to promote harmony within the kingdom during civic entries and with Accession Day ballads, or to maintain the international reputation of the English court. Combining insights from musicology, political history and literary studies, my thesis adds fresh dimensions to our knowledge of the distinctive political situation under Elizabeth's female monarchy, as well as a new depth of understanding as to how music functioned in Renaissance courts.
Supervisor: Not available Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.538299  DOI: Not available
Keywords: Music ; History ; Queen Elizabeth I ; Court ; England
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