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Title: Underwriting national sovereignty? : policy, the market and Scottish cinema, 1982- present
Author: Meir, Christopher
Awarding Body: University of Warwick
Current Institution: University of Warwick
Date of Award: 2007
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This thesis aims to re-examine the industrial and cultural landscape of Scottish cinema since the advent of public funding institutions for the support of indigenous filmmaking. This period in Scottish cinema has been described by historians as one in which subsidy bodies have created the conditions necessary for the unprecedented flourishing of internationally high-profile national cinema production throughout the last twenty-five years. By taking a 'bottom up' approach to the period and closely analysing six films in relation to their production and reception contexts, the thesis seeks to break from the survey formats which have dominated Scottish cinema historiography and to more thoroughly explore the relationships that have existed between key films from this period, the funding bodies that have supported them and the audiences that have consumed them. In so doing it attempts at various points to supplement, qualify and critique a number of assumptions and arguments that have dominated the field of Scottish cinema studies, all while providing detailed critical and historical treatments of a number of important and sometimes overlooked films from the period.
Supervisor: Not available Sponsor: University of Warwick. Humanities Research Centre (HRC)
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID:  DOI: Not available
Keywords: PN1993 Motion Pictures