Title:
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Ceramics and landscape, remediation and confection : a theory of surface
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This investigation combines practice-based and documentary research
methodologies to interrogate a neglected history - landscape images
and patterns used in industrial ceramics. The synthesis, mediated by
artistic intervention, stretches the blue and white semiotic. In analysing
processes used in the creation of a genre the research widens the
vocabulary of the language used to describe printed ceramics.
The articulation of findings are visual and textual - their complimentary
nature essential in the creation of new understanding. Visual and
documentary research were presented (with illustrative text) in
Exhibition, and textual form - here in Thesis (with illustrative image).
In the historical narrative, the thesis draws remediate and confective
threads, plotting the journey of images through philosophical construct,
painted landscape, engraved reproduction and book illustration into
stylized vitrified patterns. It also tracks and demonstrates geographical
and cultural movements within the decorative manifestation, and
considers their significance. The thematic and graphic source of the
neglected pastoral confect - Sweden's Rorstrand Vlndsater pattern is
used as prime exemplar.
In re-configuring extant industrial product as contemporary art object
the visual and technical shifts undertaken in the creation are dissected.
The stretch of mnemonic association is tested through detail, subject
matter, context and scale - evaluated through display, exhibition,
reflection and critical reception.The thesis concludes that printed ceramic surfaces are part of a wider
printed media, that they form part of collective cultural memory and as
such are loaded with existent meaning. It asserts that confection and
remediation are core to a theory of ceramic surface - that these
concepts illuminate critical analysis, dialogue and understanding of
historical objects - as well as contemporary artworks.
The research adds to the body of knowledge by creating a
comprehensive narrative thread documenting development of the
genre, and in the identification of particular historical artefacts. It creates
new insights and understandings which affect perceptions and critical
discourse in the field of Contemporary Ceramics and the Crafts.
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