Use this URL to cite or link to this record in EThOS: https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.462841
Title: The Palace at Revere and the earlier architectural patronage of Lodovico Gonzaga, Marquis of Mantua (1444-78)
Author: Lawson, J.
ISNI:       0000 0001 3606 117X
Awarding Body: University of Edinburgh
Current Institution: University of Edinburgh
Date of Award: 1980
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Abstract:
After a brief introduction providing some general information about Lodovico Gonzaga and the reasons for the palace's interest to the student, Chapter II discusses the location of Revere in the territory and gives an account of works done there in the 1370s. The third chapter continues consideration of how older remains conditioned the form of the work of the 1450s. Here, planning is of primary interest and the courtyard is discussed at length. It is suggested that its present layout differs from another proposed earlier using some of the same materials. The traditional attribution of design work to Luca Fancelli is disputed. As elsewhere in the palace, two styles meet in the courtyard. This stylistic discontinuity persisted through the history of construction of the palace. Chapter IV deals with the application of stone-carved all'antica detail to the building, and Lodovico's understanding of the classicizing Tuscan style in the 1450s is discussed. The general order in which walls were built, interior spaces were enclosed and the building grew is the subject of Chapter V. Discussion of the functions of the palace leads to the question of typological identifications of the building as castle, town house and country house. The next chapter seeks to consider contemporary and near-contemporary buildings in Mantua and the t erritory. The influence of the palace is discussed. The size of the Mantuan building trade and the many projects of Lodovico Gonzaga are also indicated in Chapter VI. Among the rewards of Lodovico's work at Revere were the praises of the building bycontemporaries. These are discussed in Chapter VII. Lodovico is also considered, as a patron of architecture: how he used the visual arts as a means of political expression; how he was constrained to occupy the role of patron; and how it served as an exercise of princely erudition. In a real sense, Lodovico created many of his buildings. A conclusion follows.
Supervisor: Not available Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.462841  DOI: Not available
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