Use this URL to cite or link to this record in EThOS: https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.363156
Title: Wavelet analysis for onset detection
Author: Tait, Crawford
ISNI:       0000 0001 3496 1422
Awarding Body: University of Glasgow
Current Institution: University of Glasgow
Date of Award: 1997
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Abstract:
Many of the auditory perception processes which researchers have sought to automate can be decomposed into stages, the first of which involves segmentation of the input audio. In music this stage equates to locating note onsets, and advances in this task should therefore ease further analyses. There are also many direct applications of onset detection, including synchronisation of audio with other media and location of significant time points in graphical editing of audio. It is for these reasons that this work focuses on the task of detecting onsets. An onset is considered as a particular type of change in the time-frequency representation of a sound. The modulus plane derived from a semitone-based harmonic wavelet analysis is first transformed, to account for the varying frequency sensitivity and mapping from amplitude to loudness observed in the human auditory system. Vectors are then derived from adjacent regions of the plane, and compared for change using Minkowski's distance measure. Peaks of distance correspond to significant changes, and commencing partials are sought at peak locations to identify onset peaks. The process of testing the method is considered in some detail, and an experiment is derived in which a test piece is recorded using a wide range of timbres from a MIDI synthesiser. The piece includes a repeated note and a range of intervals, and legato and staccato styles are demonstrated. Separate test cases demonstrate results in the presence of reverberation, dynamic variation, low notes, short notes, vibrato, tremolo and drum sounds (with overlapping cymbals). The main body of tests was conducted using a large number of parameter settings and variations of the analysis method (including different loudness scales and exponents in the distance measure) to achieve optimal results, but the reduction to a single analysis method with one parameter was also considered. The use of a novel technique to compensate for slowly rising onsets is also investigated. Although the domain is restricted to monophonic musical audio, many of the test cases contain overlap and the method is shown to have some potential in the analysis of polyphonic examples. The results of this experiment are assessed in the context of error tolerances, derived from consideration of a number of typical applications. It is shown that such assessment is not a straightforward matter and, for example, there may be interaction between the type of timbre and the error tolerance which will apply in a specific application. In summary, the thesis establishes that onset detection can be accomplished by monitoring a distance measure calculated from a harmonic wavelet analysis; and does this via the design and implementation of a comprehensive experiment.
Supervisor: Not available Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.363156  DOI: Not available
Keywords: Digital editing; Musical audio analysis
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