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Title: Colonialism, post-colonialism and local identity in colonial Taiwanese landscape paintings (1908-1945)
Author: Liao, Xintian.
ISNI:       0000 0001 3609 6858
Awarding Body: University of Central England in Birmingham
Current Institution: Birmingham City University
Date of Award: 2002
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The author identifies the formation of a Taiwanese identity from representations of landscape painting as introduced by Japanese colonisers and responded to by Taiwanese between 1908 and 1945. The first of two primary findings is that the history of discovering Taiwan can be traced via such visual records as maps, photographs, and landscape paintings from the seventeenth century to the mid-twentieth century. Landscape paintings represented the peak of this course of discovery. From the untamed to the civilised, the Taiwanese landscape was the site of adventure and travel activities, through which the Japanese imperial goals of modernisation for its colony were revealed. The second finding is that visual representations of landscape painting stands as evidence of an uneven relationship within which a European visual model was transported to Taiwan. Furthermore, it was found that representations of Taiwanese landscape paintings reflected a spectacle of modem life. Finally, the formation of Taiwanese local identity was discussed from the perspectives of "local colour," the culturalisation of Taiwanesen ature, and problems of identification. The concept of "local colour" as expressed in Taiwanese landscape paintings reveals a contradictory situation and predicament of local identity. With regards to the culturalisation of nature, the Taiwanese landscape was re-represented by a new aesthetic order and visual layout. Four local configuration stages (1895-1908,1908-1927,1927-1940, and 1940-1945) generalised the visual identification process. According to this analysis, colonial Taiwanese landscape painting emerged in order to fulfill the expectations of an imagined viewer, thus making identification with the environment through landscape paintings problematic. The primary conclusion of this thesis is that the discovery and representation of Taiwanese landscape during the colonial period revealed specific conditions of colonialism and modernity. For local Taiwanese, the predicament of identification was projected and acknowledged in the making of visual art.
Supervisor: Not available Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID:  DOI: Not available
Keywords: Arts