Use this URL to cite or link to this record in EThOS: https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.243901
Title: Reading the visual in the work of Marguerite Yourcenar
Author: Saint, Nigel Wakelin
ISNI:       0000 0000 4771 0246
Awarding Body: University of London
Current Institution: University College London (University of London)
Date of Award: 1996
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Abstract:
This thesis addresses the functions of the visual in the work of Marguerite Yourcenar. The visual here refers initially to her engagement with the visual arts in selected essays. Analysis shows her developing an independent critical voice and strategies in relation to existing art writing and art history because of personal attitudes and choices within certain historical contexts. This in turn leads the reader to interpret the visual more broadly as the verbal articulation of all visualised encounters in Yourcenar's fiction, for the study of which parameters have to be defined and a methodology elaborated. Topics, themes and motifs such as the corporeal impact of the visual, the contribution of images supplied by historiography (itself defined in visual terms and not only as a source of visual referents), the picturing of the Other, the working of memory, colour, appearance and dissolution are explored in Yourcenar's chief works of fiction - mainly Memoires d'Hadrien, L'Oeuvre au Noir and Un Homme obscur - via the privileged point of entry supplied by her essays on various artists. The visual emerges as the site of a struggle in which Yourcenar's characters try to achieve certainty and power and to overcome their fear of dispossession. Its investigation also demonstrates the subversive and liberating potential of the verbal-visual relationship in the act of reading since it often results in challenging Yourcenar's ostensible project. Reading the visual thus develops into a method of enquiry which not only suits the little studied corpus of Yourcenar's essays but also empowers readers to extend their interpretation of her major texts and can even hope to contribute to the study of representation.
Supervisor: Not available Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.243901  DOI: Not available
Keywords: Arts
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