Use this URL to cite or link to this record in EThOS: http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.732293
Title: Hospitality in Shakespeare : the case of the Merchant of Venice, Troilus and Cressida and Timon of Athens
Author: Battell, Sophie
ISNI:       0000 0004 6496 4431
Awarding Body: Cardiff University
Current Institution: Cardiff University
Date of Award: 2017
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Abstract:
This thesis analyses hospitality in three of Shakespeare’s plays: The Merchant of Venice (c.1596-7), Troilus and Cressida (c. 1601-2) and Timon of Athens (c. 1606-7). It draws on ideas from Derrida and other recent theorists to argue that Shakespeare treats hospitality as the site of urgent ethical inquiry. Far more than a mechanical part of the stage business that brings characters on and off the performance space and into contact with one another, hospitality is allied to the darker visions of these troubling plays. Hospitality is a means by which Shakespeare confronts ideas about death and mourning, betrayal, and the problem of time and transience, encouraging us to reconsider what it means to be truly welcoming. That the three plays studied are not traditionally linked is important. The intention is not to shape the plays into a new group, but rather to demonstrate that Shakespeare’s staging of hospitality is far-reaching in its openness. Again, while the thesis is informed by Derrida’s writings, its approach is through close readings of the texts. Throughout, the thesis is careful not to prioritise big moments of spectacle over more subtle explorations of the subject. Thus, the chapter on ‘The Merchant of Venice’ explores the sounds that fill the play and its concern with our senses. Other chapters similarly approach the plays not as exemplars of hospitality but as illuminating problems posed by the complex nature of what it means to be welcoming. The second chapter on ‘Troilus and Cressida’ explores the vulnerability of guests and hosts to one another on and off the battlefield, while the last chapter on ‘Timon of Athens’ argues that the emphasis Shakespeare places on death and mourning problematises the play’s gift economy and its representation of hospitality. Finally, the conclusion glances briefly ahead to ‘The Winter’s Tale’ (c. 1610-11) and the relationship between hospitality and forgiveness. But there are no easy answers to the problem of hospitality in the late plays either, since they, too, remain caught in the dilemma of what it means to be welcoming.
Supervisor: Not available Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.732293  DOI: Not available
Keywords: PN Literature (General) ; PR English literature
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