Use this URL to cite or link to this record in EThOS: http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.729459
Title: Durational painting : gifting, grafting, hosting, collaborating
Author: Wilson, Sarah Kate
Awarding Body: University of Leeds
Current Institution: University of Leeds
Date of Award: 2017
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Abstract:
This thesis takes as its focus contemporary painting, and develops an understanding of painting as a time-based medium. My research project addresses the array of strategies artists employ to produce durational paintings, a term I have coined as a means of referring to paintings that destabilise the traditional idea of painting as a static object, hung on a wall. The medium of painting embraces other mediums, such as performance and installation, to yield durational paintings. These paintings engage people in their production: vitally, they are participatory and are produced through collaboration. Furthermore, these paintings employ materials imbued with particular properties, such as longevity or, conversely, ephemerality. In time-based media collections and in existing histories of participatory and relational practices painting is absent: these omissions are redressed by the present study. Now that painting is time-based, it is ‘live’.
Supervisor: Crawford, Joanne ; Ferguson, Catherine Sponsor: AHRC
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.729459  DOI: Not available
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