Use this URL to cite or link to this record in EThOS: http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.724235
Title: Battleaxes, spinsters and chars : the ageing woman in British film comedy of the mid-twentieth century
Author: Mortimer, Claire
ISNI:       0000 0004 6423 8448
Awarding Body: University of East Anglia
Current Institution: University of East Anglia
Date of Award: 2017
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Abstract:
‘Battleaxes, Spinsters and Chars: the Ageing Woman in British Film Comedy of the Mid-Twentieth Century’ explores the prominence of the mature woman in British film comedies of the mid-twentieth century, spanning the period from the Second War World to the mid-1960s. This thesis is structured around case studies featuring a range of film comedies from across this era, selected for the performances of character actresses who were familiar faces to British cinema audiences. Organised chronologically, each chapter centres around films and actresses evoking specific typologies and themes relevant to female ageing: the ‘immobile’ woman in wartime, the spinster in the post-war era, retirement and old age in the 1950s, and the cockney matriarch in the early 1960s. The selection of case studies encompasses the overlooked and critically derided alongside the more celebrated and better known in order to represent the range of British film comedy of the time. The final chapter spans the time-frame of the whole thesis, exploring the later life stardom of Margaret Rutherford. The thesis is centred on close textual analysis of sequences from the case studies, applying research into a range of historical texts relevant to the films and actresses, including biographies, letters, correspondence, press, posters and publicity materials. Each chapter draws on diverse scholarly disciplines to interrogate representations of female ageing, encompassing age studies, feminist studies, star studies, sociological research, genre studies, political philosophy, anthropology and social history. I conclude that film comedy of the mid-twentieth century offered familiar and reassuring typologies of the ageing woman for audiences in a time of upheaval and social change. My analysis of the films demonstrates how the representations of female ageing provided by these character actresses and stars were inflected by the cultural and social context. In her various guises the character actress in British comedy offered a fantasy of continuity, stability and reassurance within a country which struggled to define its national identity, and a national cinema which was struggling to survive.
Supervisor: Not available Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.724235  DOI: Not available
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