Use this URL to cite or link to this record in EThOS: http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.720706
Title: 'Not just for gays anymore' : men, masculinities and musical theatre
Author: Lovelock, James Michael
Awarding Body: University of Birmingham
Current Institution: University of Birmingham
Date of Award: 2017
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Abstract:
This thesis explores how the changing masculinities of the 21st century have affected how young men connect to musical theatre as a genre that has been stereotypically seen as gay. The investigation is first located in the theoretical framework of masculinities, utilising the concepts of the male sex role, hegemonic masculinities and inclusive masculinity to chart how the performance of the male gender has changed over the past century. The project then adopts an empirical approach to a group of 161 men and 25 women, establishing a methodological framework for correlating sexual orientation with attitudes towards musical theatre. There is a further honing of this methodology through the adoption of Jenifer Toksvig's 'The Fairytale Moment' exercise, which identifies how each participant connects to narrative through a core emotional drive. Finally, this data is tested through three case studies of how individual participants connect to 'Les Misérables', 'Wicked' and 'Soho Cinders', concluding that the emotional content of musical theatre is now as desirable to straight men as it is to women and LGBT men.
Supervisor: Not available Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.720706  DOI: Not available
Keywords: M Music ; PN2000 Dramatic representation. The Theater
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